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Encoded results from Kinoma PSP are now compliant with the PSP device.

Elementary files are now compatible with the iPod encoding through the iPod-MPEG4 video codec. Cleaner 6.5.1 is now compatible with QuickTime versions 6.5.2 to 7.1.3. When encoding with audio modifiers, MPEG2 source clips no longer cause Cleaner to crash. Cleaner now has a new 3GP settings folder. To encode MPEG-1 and MPEG-2 sources to iPod, you must use the iPod-MPEG4 Video Profile in order to create compatible video encoding. Using Audio Volume Normalize now creates a clip with audio as expected. Temporary files are no longer left behind when encoding in MPEG-2. MPEG-1 or MPEG-2 files (muxed program files) are now rendered correctly. Encoding with M2V and AIFF to MPEG-2 now works properly. The option to encode an MPEG-1 or MPEG-2 program stream with the audio codec set to MPEG Layer 1 has been removed. Using the Kinoma PSP codec, the output file name seen on the PSP device is now a copy of the source file name. New users, without Administrator rights, can now launch the application normally. QuikTime encoding (using H.264) with MP3 audio no longer gives an error. Encoding MPEG-1 and MPEG-2 source files using "In Point" now works as expected. Cleaner now builds the Hinted tracks needed for proper 3GP streaming. Encoded files are now created properly at the end of the encoded process. The iPod-H.264 Video Profile now creates compatible video files for iPods, for all video sources except MPEG-1 and MPEG-2 files. Cleaner now properly encodes MPEG-2 source clips from the Watch folder. Cleaner now encodes long AVI Apple None files without errors. iPod video encoding is now supported using MPEG-4. General stability and compatibility up to Quicktime 7.1.3 has been improved. With Cleaner software, video editors are only a click away from delivering the highest quality video output every time.
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With over 60 supported media formats, Autodesk Cleaner, specifically designed for the Apple Mac platform, can now encode to more outputs than ever before, giving you the flexibility you need to deliver results in the formats you need.

It can preview footage via video cards from AJA, Blackmagic, and others.Ĭleaner. It can import and export settings in ASC CDL, Photoshop, Discreet, and Quantel formats. It supports image types from JPEG to BMP to TIFF to Targa to Cineon to DPX. It handles QuickTime movies as well as image sequences. Perform your color correction and output your final footage, or export it back to Final Cut.
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Create your own projects or import one from Final Cut Pro via XML. The Color Finesse 3 standalone application focuses on just one thing: being the best color correction tool possible. The difference is visible when you use the best tool for the job.
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Color Finesse gives you full creative control over the color, mood, and look of your images quickly, easily, and accurately. Settings move smoothly from plug-in to standalone so you can work the way you want to. Color Finesse 3 is cross-platform and works on systems from laptops to multi-processor workstations, without the need for specific video cards or multiple monitors.

Because the standalone Color Finesse is not limited by restrictions imposed by a host application, it offers improved workflow, video handling, and project management. Color Finesse 3 gives you the high-end color correction and enhancement tools you need both as a plug-in for your favorite application-including After Effects, Final Cut Pro, Motion, and Premiere Pro-and as a standalone application. Now you can have telecine-style color correction that fits your workflow rather than imposing a new one.
